Poziv na predstavu TEMPORARIES u Zrenjaninu 31.10.2012.

Kulturni centar Zrenjanjin, 31. oktobar u 20.00 casova:
Autori / Authors: Dušan Broćić, Ana Dubljević, Igor Koruga, Marko Milić, Jovana Rakić Kiselčić, Ljijana Tasić
Izvođenje / Performed by: Dušan Broćić, Ana Dubljević, Igor Koruga, Marko Milić, Jovana Rakić Kiselčić, Ljijana Tasić
Konsultacije i dramaturgija / Consultation and dramaturgy: Ana Vujanović
Produkcija / Production: Stanica servis za savremeni ples, apap, Evropska unija – Program Kultura 2007-2013, Nezavisna kulturna scena Srbije, Grad Beograd – Sekretarijat za kulturu / Station Service for contemporary dance, apap, The Culture Programme of the European Union, NKSS Association of Independant Cultural Scene of Serbia, The City of Belgrade – Secretariat of Culture.
Trajanje / Duration: 90 min, sa diskusijom / with discussion
Sve počinje savršeno, kao u lošem filmu – na izletu smo, ljudi su se okupili, tu je i… Animatori su pripremili prikladan kulturno-umetnički program. Doduše i neprikladan, ali ako se potrudimo… Ovom scenom grupa šest beogradskih koreografa otvara prezentaciju svog procesa rada, deleći sa publikom… Načini i uslovi rada karakteristični za savremenu lokalnu scenu, prestaju da budu lokalno specifični i… Autori pozivaju publiku da u vanrednoj situaciji predstave / izleta zajedno promisle… Solidarnost, oskudica, kritičke diskusije, prekidi i istorija diskontinuiteta postaju… Iz istočne Evrope kao da stalno stiže ista koreografija: niski start, dva, tri, pucanj, a zatim… Ali ako se to dešava samo tamo, zašto nam je iritantno i zašto… Pokreće se pitanje: Da li oskudica vodi solidarnosti ili je moramo negovati da bismo preživeli oskudicu?… Jasno je, ako nismo spremni da reagujemo brzo propustićemo i ovu priliku, što bi zaista… Nemamo luksuz da to sebi dopustimo iako nam stalni prekidi, nemogućnosti, stalno neizvesno kuda “izlećemo“ ne dopuštaju da…
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_Everything is starting perfectly, like in a bad movie – it’s a picnic, people have gathered, there is a… Animators prepared an appropriate cultural-artistic program. And an inappropriate one as well, but if we really put some effort… With this scene the group of six choreographers from Belgrade opens the presentation of work, sharing with audience… The ways and conditions of work, which are characteristic for the local scene, cease to be locally-specific and… The authors invite the audience to use the outstanding situation of performance / picnic to rethink together… Solidarity, privation, critical discussion, ruptures and a history of discontinuity become… It seems that from East Europe always comes the same choreography: start, two, three, shoot, and then… But, if it happens only there, why does it irritate us and why… The question arises: Is the solidarity an outcome of poverty or we need to create it in order to survive poverty?… It’s clear, if we are not ready to react promptly we’ll lose the opportunity once again, which would really… We cannot afford it to ourselves, although the constant ruptures, obstacles, the constantly present uncertainty about where we ‘fly out’ (aus-flugen) don’t allow us to… _